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Tuesday, October 19, 2010

Death of Leonardo da Vinci

Aging Leonardo da Vinci - 64 

Cloux Castle, Amboise, France
          Leonardo da Vinci passed away on May 2, 1519 in Cloux Castle, Amboise., France.   Cloux Castle was the summerhouse of the Queen Mother of King Francis I.  It was called the castle of Light, because of the wonderful light let in by its great number of windows. 
Leonardo's bedroom window- where he lived and died.
        Leonardo resided there with the king's young widowed sister, Margurite de Navarone, who adored the aging artist.  Margurite and her friends loved to entertain and engaged the services of Leonardo to design court activities. 
Side View of Cloux Castle

Roof top of Cloux Castle
       King Francis I provided Leonardo with a pension of 7,000 gold scudi per year and  pensions for some of his entourage. 
Back of Cloux Castle - Leonardo's bedroom- Sitting room to right.
         On April 23, 1519, Leonardo dictated his last will and testament to M. Baptista de Vilanis.  He bequeathed all monies and the remainder of his pension to Francesco Melzi, a Milanese gentleman, who helped take care of him the last 9 years of his life.  He made Francesco the executor of his will and the director of his lavish funeral.
Side of Cloux Castle
Balcony where the king and his entourage watched the pageants.
        Leonardo was to be buried within the church of Saint  Florentine after three high masses there and thirty low masses at St. Gregorie Church and in St. Denis Church.  There were also thirty low masses at the church of the said friars and lesser brethren.  His body was to be borne by thirty chaplains of the church. 

       He left directions for his body to be followed by the rector and the prior or by their victors and the chaplains of the Church of Saint Denis of Amboise and lesser the friars.  He desired that sixty poor men, who would be paid for carrying them, should carry sixty lighted tapers. The purpose of the lighted procession to the burial sight,  was so that God could see the way to come for his soul.
                                     
     Although Leonardo was supposedly buried in the Church of St. Florentine, in Amboise, France,  the church was destroyed during the French Revolution.  His remains are believed to have been later transported to the Chapel of St. Hubert in the Castle of Amboise, Amboise, France. This is the chapel of King Francis I, which is near Cloux Castle where Leonardo lived.   

      The long bones were identified as those of a tall man, but not definitely identified as those of Leonardo.  Plans are in progress to have the body exhumed and tested for DNA.  At his time that has not been authorized by the French Government.  

The rose garden that Leonardo could view from his window

                              The rose garden  - summer of 2010.                                    

      Some of these photos were taken at different times, when I visited Cloux Castle. The first time being 1983.  In this photo, you can see the book store, which has been enlarged.  Since Dan Brown came out with the Da Vinci Code there has been an increase of visitors.  They have also embellished the rose garden and the surrounding area.  Thanks to Dan Brown for creating a global interest!  Too bad he doesn't know the REAL DA VINCI CODE, which gave clues to the real secret of MONA LISA!

   I just opened 8 websites concerning the death of Leonardo...each one had questions...who is MONA LISA!!!!  The answers is simple to find!!! Just read my books, THE CHARADE OF MONA LISA VOL I AND II.  They are available by contacting me on my website...    237willow@prodigy.net  Tell me where to mail them...They are $20. each....and then you won't have to wonder any more!  

     I broke the code on Leonardo's pictographs, in 1983 and discovered the secret of Mona Lisa!   It is so bizarre that you could not have imagined it in 500 years...and that is how long it has been since he painted it!!!  Sharron Connelly



Saturday, October 2, 2010

WHO POSED FOR MONA LISA?

Who posed for Mona Lisa?



                                "La verita fu sola figliola del temp"
                                "The truth will be brought forth in time!"
                                                                   *******************
                                                                      The time is now!

                                        The answer is: LEONARDO!
     The most widely accepted theory is that MONA LISA is a portrait of Lisa Giaconda.  She was the wife of  Francesco del Giaconda, a wealthy Italian merchant.  However, there is no documentation that she ever posed for Leonardo.

           The myth was solidified by Georgio Vasari, the great Italian biographer.  He wrote a quite lengthy narration describing how Leonardo "...employed singers and musicians or jesters to keep her full of merriment and so chase away the melancholy, which painters usually give to portraits."

            Supposedly, this was to explain her mystic smile!  However....Vasari never knew Leonardo because he died in in France in 1519 when Vasari was only 16 years old and lived in Italy.  Vasari's book, LIVES OF THE MOST EMINENT ITALIAN ARCHITECTS, PAINTERS AND SCULPTORS, in which he wrote about Leonardo was not published until 1550....31 years after Leonardo died.  It is doubtful that Vasari ever even saw the painting, which was in France in the private collection of king Francis I at the time!  

                                                   *************************
                                                     
            It is known to the world that Leonardo experimented with mirrors.  Not only did he experiment with mirrors...he became obsessed by them!  

            Because he was already obsessed with his quest for immortality....mirrors were the perfect tools to immortalize his image!   Such is the case with MONA LISA!
  
           Leonardo looked in his great mirror and painted himself as MONA LISA.    Below is a self portrait of Leonardo, Cherebourg, France.  Thomas Henry Museum.  It was obviously painted at the same time that Leonardo painted MONA LISA!  Compare the two.  The shape of the head is the same!  The cheek bones are the same! The shape of the eyes are the same!  The visible parts of the lips are the same.  What you see of the hairline appears to be the same.
                                                        
                      BUT
            MONA LISA has a straight brow...and no eyebrows!  The truth is that Leonardo deliberately left them off so he would not be identified!  Also, remember that ..Leonardo had light blue eyes, yet, MONA LISA'S brown!   And, Leonardo had a large Tuscan nose....while MONA LISA...has a long Grecian nose! 

Leonardo at 58
 The truh is! 

 Leonardo posed for
     the painting! 
                                                                 

       What we know as the Turin self- portrait of Leoardo da Vinci...is in fact...a double mirror image of the artist!  By posing with two mirrors, he reflected his image back to his original image....so the image he painted, really looked like him instead of being backwards!

  

Turin self- portrait of Leonardo
               After studying the Turin Self- Portrait with my 10-power jewler's loop, I discovered ABOSLUTELY POSITIVE proof that Leonardo posed for MONA LISA!                                    

BUT!!! That is not the secret of  MONA LISA!


 The secret of MONA LISA is so bizarre! No one has even been able to imagine it in their wildest dreams! The secret has been shrouded in mystery for almost 500 years!!! 


     My discovery of  proof that Leonardo posed for MONA LISA ...and my research that reveals the secrets of the dark side of Leonardo and the revelation of the mystery of MONA LISA can be found in. my books......
  THE CHARADE  of
MONA  LISA Vol I & II.


Vol I is a historical novel, which begins on Leonardo's deathbed...and ends on his deathbed.  It makes a complete circle.  It goes back, allowing you to walk with him through the rose colored era of the reniassance, while he perpetrated charades in this art to immortalize himself.  Through the pages, you can share his anguish as he gets involved in a henious crime that ends with the mystery of MONA LISA.

Vol II contains my research material in which I only act as mediator to allow Leonardoto tell his own story in his own writings, drawings and painting.  

           My books can be obtained by inquiring at   237willow@prodigy.net